MUSSINI® Artist's Resin Oil Colours Transparent Oriental Blue, 35 ml

Article Number
1906496
€16.78 €14.10
Base Price: €402.86 / 1 l 19 % VAT excl. (All prices without shipping)
Availability:
2 - 3 days
Weight: 0.0900 kg
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Transparent Oriental Blue, Colour No. 496.

  • Extremely lightfast
  • Transparent
  • 6 - 18 days drying

Finely transparent, brilliant deep blue, the phthalocyanine pigment with the most pronounced red tint. These pigments were discovered in the 1920s and are now one of the most important and most stable organic pigments.

With the multitude of colouristic treasures, the well-balanced drying properties, a guarantee for long-lasting colour layers and the pleasant, modest soft resinous odor, MUSSINI® offers artists worldwide unique and finest resin-oil colours of the highest quality.

For highest demands: The artist’s natural resin-oil colours which are unique throughout the world - made by Schmincke.
108 colours of high brilliance and purity with the highest possible light fastness, balanced drying process, spontaneous and lasting colour layers. Made from the best artists pigments, binders and compositions from high quality linseed, poppy and sunflower oils with variable proportions of high grade dammar resin solution.
MUSSINI® artists' resin-oil colours are based on unique, 100 year old recipes, which are continually improved through the results of detailed modern research.

Due to the well-balanced recipe based on selected painting oils, MUSSINI® is not a closed system despite the resin content - on the contrary: All colours can be mixed and combined excellently and without any additional painting mediums even with "normal" oil colours! Existing oil colours can be combined with MUSSINI® colours and therefore the own palette can be upgraded. What distinguishes the unique MUSSINI® natural resin-oil colours from the best and finest "pure" (resin-free) artists' colours, such as NORMA® Professional or other comparable fine artists' oil colours? MUSSINI® dries more evenly on the inside and the outside, as a result of the largely self-compensating chemical and physical drying process. The increase in volume resulting from the chemical drying process which begins on the surface, via oxygen uptake, is largely compensated for by the solvent content in the dammar solution which evaporates from inside. Microscopic evaporation pores enable oxygen to penetrate more effectively, thus providing for more even drying of both the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during drying. The dammar fractions, finely incorporated in the colloidal solutions, are enclosed by the drying oils and enhance the brilliance of the colour layers.

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